Tomas Harker (b.1990, United Kingdom) lives and works in London. His works addresses the nature of meaning in conditions of mediated experience and hyperreal saturation. Harker’s practice often draws from a variety of image production and distribution systems in an attempt to make sense of a cosmic order becoming increasingly disordered. His paintings reflect the increasing murkiness and confusion of contemporary life, whilst remaining mindful of the dynamics of power benefiting from uncertainty. Exhibitions include Tomas Harker, Nicodim, New York (forthcoming); Emily Ferguson / Tomas Harker / Sol Kordich, Nicodim, New York (2026); Sherwood Forest, The Sunday Painter, London (2025, solo); Painting, Photography, Painting, Olney Gleason, New York (2026); Remain in Light: Tomas Harker, Laurent Proux, Robert Yarber, Nicodim, Los Angeles (2025); The Lightness of Being, Nicodim Annex, Los Angeles (2024, solo); Multiple Choice Fairytale Ending, The Sunday Painter, London (2023, solo); New Ancients, Guts Gallery, London (2023); The Artist is Present, Guts Gallery, London (2022); Apotrope, CobGallery, London (2022); I haven’t been Sleeping, Screw Gallery, Leeds (2021, solo); Bloomberg New Contemporaries, South London Gallery, London (2021); Third Nature, Copeland Gallery, London (2021, solo); A Sea in Suspense, Bo.lee Gallery, London (2019, solo); There’s something about Painting, Tatjana Pieters, Ghent (2019); Cite, Bo.lee Gallery, London (2018); and Syzygy, Leeds Arts University, Leeds (2018).