
symbiopsychotaxiplasm
Installation View
Nicodim New York, 2022
symbiopsychotaxiplasm
Installation View
Nicodim New York, 2022
symbiopsychotaxiplasm
Installation View
Nicodim New York, 2022
symbiopsychotaxiplasm
Installation View
Nicodim New York, 2022
symbiopsychotaxiplasm
Installation View
Nicodim New York, 2022
symbiopsychotaxiplasm
Installation View
Nicodim New York, 2022
symbiopsychotaxiplasm
Installation View
Nicodim New York, 2022
symbiopsychotaxiplasm
Installation View
Nicodim New York, 2022
symbiopsychotaxiplasm
Installation View
Nicodim New York, 2022
symbiopsychotaxiplasm
Installation View
Nicodim New York, 2022
symbiopsychotaxiplasm
Installation View
Nicodim New York, 2022
symbiopsychotaxiplasm
Installation View
Nicodim New York, 2022
symbiopsychotaxiplasm
Installation View
Nicodim New York, 2022
A maximalist harmony AKA pleasure’s discord AKA...AKA...AKA...
A crashing, a discord, a contact, a meeting, a missing, a yearning for, a need, a ghost, symbiopsychotaxiplasm is the collision and its location, its actors and its bystanders, is sex and also less...ceremony...collaboration...reciprocal care...destruction and its material. It’s here! Here! Narrative rises out of the illogics and randomness of desire and contact in public space. Here! We find our graveyards, theaters and altars transposed through time. HERE! We crash into each other because we’ve done it before...loudly, violently, carefully, in color.
FUCKOUTMYFAC EFUCK OUTMYWAY FUCK INMYWAY FUCKMEFUCKCKME YOURWAY FUCKMEHARD HERE FUCKHARDERHEREHERE,FUCK
symbiopsychotaxiplasm is in tandem with Old, Used & New*
Can you hear the break coming?...
Can you feel the bass from outside?...
Can you see the fibers in the bend?...
...where the refractured/refracted night once again brings through our Otherplace?
The afters! Dawn! The cave! The moons, the still rolling camera, Ladies Night, the interstitial, the attic and the under, the hole in the wall/stall, the place your legs spread out to, the illegible, the porous, Time Square Red, free-if-ur-nasty, tequila-spilt, the piss-soaked, mythic, mean-mug, Take One, the “what’s your name?” Or not where, now, here we’re forever/again/like before. symbiopsychotaxiplasm lives, holds, and waits.
xo Ley
*Mosie Romney: Old, Used & New
March 17th – May 1, 2022
Gern en Regalia
246 East 4th St
East Village, NYC
Willie Jinks
Untitled ("Fite"), ca 1980s
paint on particle board
51.25h x 33w in
130.18h x 83.82w cm
Willie Jinks
Untitled ("Fite"), ca 1980s
(scale view)
Willie Jinks
Untitled ("Fite"), ca 1980s
(detail view)
Willie Jinks
Untitled ("Fite"), ca 1980s
(detail view)
Michelle Uckotter
Praying Girl, 2022
oil on pastel
25h x 30w in
63.50h x 76.20w cm
Michelle Uckotter
Praying Girl, 2022
(installation view)
Michelle Uckotter
Praying Girl, 2022
(scale view)
Michelle Uckotter
Praying Girl, 2022
(detail view)
Michelle Uckotter
Confession Booth, 2022
oil pastel on panel
12h x 18w in
30.48h x 45.72w cm
Michelle Uckotter
Confession Booth, 2022
(installation view)
Michelle Uckotter
Confession Booth, 2022
(scale view)
Michelle Uckotter
Confession Booth, 2022
(detail view)
Mose Tolliver
French Hopper, ca 1978-1983
enamel and house paint on wood paneling
14h x 13w in
Mose Tolliver
French Hopper, ca 1978-1983
(installation view)
Mose Tolliver
French Hopper, ca 1978-1983
(scale view)
Mose Tolliver
French Hopper, ca 1978-1983
(detail view)
Mosie Romney
The Undertitty, 2022
oil on canvas
48h x 60w in
121.92h x 152.40w cm
Mosie Romney
The Undertitty, 2022
(detail view)
Mosie Romney
The Undertitty, 2022
(detail view)
Mosie Romney
The Undertitty, 2022
(detail view)
Mosie Romney
The Undertitty, 2022
(scale view)
Marisa Takal
Frontal lobe and myopic, 2022
oil on canvas
48h x 36.50w in
121.92h x 92.71w cm
Marisa Takal
Frontal lobe and myopic, 2022
(scale view)
Marisa Takal
Frontal lobe and myopic, 2022
(detail view)
Marisa Takal
Frontal lobe and myopic, 2022
(detail view)
Jesse Morsberger
Welcome To Station Square, 2021
oil on canvas
28h x 26w in
71.12h x 66.04w cm
Jesse Morsberger
Welcome To Station Square, 2021
(installation view)
Jesse Morsberger
Welcome To Station Square, 2021
(scale view)
Frieda Toranzo Jaeger
the wheel of existentialism, 2021
oil on embroidery on canvas with windshield wipers and mirrors
40.94h x 40.94w x 59.06d in
104h x 104w x 150d cm
Frieda Toranzo Jaeger
the wheel of existentialism, 2021
(scale view)
Frieda Toranzo Jaeger
the wheel of existentialism, 2021
(detail view)
Frieda Toranzo Jaeger
the wheel of existentialism, 2021
(detail view)
Frieda Toranzo Jaeger
the wheel of existentialism, 2021
(detail view)
Frieda Toranzo Jaeger
the wheel of existentialism, 2021
(detail view)
Frieda Toranzo Jaeger
the wheel of existentialism, 2021
(detail view)
Daisy Parris
Might As Well Grow Old (After Dorothy Parker), 2021
oil paint and collaged canvas on canvas
55.12h x 78.74w in
140h x 200w cm
Daisy Parris
Might As Well Grow Old (After Dorothy Parker), 2021
(scale view)
Daisy Parris
Might As Well Grow Old (After Dorothy Parker), 2021
(detail view)
Daisy Parris
Might As Well Grow Old (After Dorothy Parker), 2021
(detail view)
Daisy Parris
Might As Well Grow Old (After Dorothy Parker), 2021
(detail view)
Devin N. Morris
Closed Curtain, 2022
oil pastel, acrylic, pastel, felt, collage, wood veneer, poly chiffon, velvet, color pencil, watercolor, archival print on silk, gouache, photo collage, glitter paper on paper
41h x 82.25w x 3d in
104.14h x 208.91w x 7.62d cm
Devin N. Morris
Closed Curtain, 2022
(scale view)
Devin N. Morris
Closed Curtain, 2022
(detail view)
Devin N. Morris
Closed Curtain, 2022
(detail view)
Devin N. Morris
Closed Curtain, 2022
(detail view)
Devin N. Morris
Closed Curtain, 2022
(detail view)
Drake Carr
Tara, 2019
acrylic on canvas on panel
54h x 27w x 1.50d in
137.16h x 68.58w x 3.81d cm
Drake Carr
Tara, 2019
(detail view)
Drake Carr
Tara, 2019
(install view)
Drake Carr
Tara, 2019
(scale view)
Drake Carr
Gay Bar Painting (Gay Stare), 2021
acrylic paint on paper pulp and wood panel
96h x 30w x 2.50d in
243.84h x 76.20w x 6.35d cm
Drake Carr
Gay Bar Painting (Gay Stare), 2021
(detail view)
Drake Carr
Gay Bar Painting (Gay Stare), 2021
(detail view)
Drake Carr
Gay Bar Painting (Gay Stare), 2021
(scale view)
Aviva Silverman
A Flower Cannot Exist Alone, 2022
suitcase, tiles, fabric, transparency, LED, miniature figurines (likeness of artist, angels, dresser, cups)
20.50h x 16w x 16d in
52.07h x 40.64w x 40.64d cm
Aviva Silverman
A Flower Cannot Exist Alone, 2022
(detail view)
Aviva Silverman
Queen City Special, 2020
mixed media
variable dimensions
Aviva Silverman
Queen City Special, 2020
(detail view)
Aviva Silverman
You are you, and I am I, 2018
plywood, silver and gold leaf, hinges, mirror
11.50h x 11.25w x 11.50d in
29.21h x 28.57w x 29.21d cm
Aviva Silverman
You are you, and I am I, 2018
(install view)
Aviva Silverman
You are you, and I am I, 2018
(scale view)
Aviva Silverman
You are you, and I am I, 2018
(detail view)
Astrid Terrazas
Living Bodies Get Lost between the Lines--FEELING!, 2021
oil on canvas
34h x 80w in
86.36h x 203.20w cm
Astrid Terrazas
Living Bodies Get Lost between the Lines--FEELING!, 2021
(detail view)
Astrid Terrazas
Living Bodies Get Lost between the Lines--FEELING!, 2021
(scale view)