National Gallery of Zimbabwe is pleased topresent Vestiges of Colonialsm – first soloexhibition with Zimbabweian artist MoffatTakadiwa. Takadiwa transforms post-consumerwaste – such as used toothbrushes, bottle tops,and computer keyboards – into lush, denselylayered sculptures and tapestry-like wall worksthat embody the complexities of contemporaryZimbabwean politics, culture, and reference his Korekore heritage.
Moffat Takadiwa (b. 1983, Karoi) lives and works in Harare, Zimbabwe. Part of the post-independence generation of artists in Zimbabwe, Takadiwa has exhibited extensively across major institutions in Zimbabwe as well as internationally. Takadiwa also was a founder of Mbare Art Space in Harare where he plays a part in mentoring the growing artist community. Recent exhibitions include Vestiges of Colonialism, National Gallery of Zimbabwe, Harare (2023, solo); A Love Letter to LA, curated by Storm Ascher, Superposition Gallery, Phillips Auction House, Los Angeles (2023); Nous sommes tous des lichens, Musée d’art contemporain de la Haute-Vienne – château de Rochechouart (2022); The Bull, Semiose, Paris (2022, solo); Brutalized Language, Nicodim, New York (2022, solo); Witch Craft: Rethinking Power, Craft Contemporary, Los Angeles (2021, solo); This is Not Africa: Unlearn What You Have Learned, ARoS Museum, Denmark (2021); Mr. Foreman you have destroyed the farm, Semiose, Paris, France (2021, solo); INXS: Never Before Seen Major Works by Simphiwe Ndzube, Moffat Takadiwa, Zhou Yilun, Nicodim, Los Angeles, CA (2020); Son of the Soil, Nicodim, Los Angeles, CA (2019, solo); Thread., Long Beach Museum of Art, Long Beach, CA (2019); Stormy Weather, Museum Arnhem, Arnhem, The Netherlands (2019); Second Hand: Selected Works from the Jameel Art Collection, Jameel Arts Centre, Dubai, United Arab Emirates (2019); Material Insanity, Museum of African Contemporary Art Al Maaden, Marrakech, Morocco (2019); The Eye Sees Not Itself, Nicodim, Los Angeles (2018); and Chinafrika. under construction, Museum for Contemporary Art Leipzig (2017).