June Canedo de Souza: All top teeth knocked out at once

Los Angeles

March 28 – May 9, 2026

June Canedo de Souza

forest landscape painting, 2026

oil on canvas

90 x 79 in
229 x 201 cm

June Canedo de Souza

concrete wall behind grandmas papaya tree and the oil marks on the floor of the garage, 2026

oil on canvas

67 x 42 in
170 x 108 cm

June Canedo de Souza

glass glimmer on lone hwy with some heartache, 2026

oil on canvas

49 x 35 in
126 x 89 cm

June Canedo de Souza

melodia, 2026

oil on canvas

50 x 34 in
127 x 87 cm

June Canedo de Souza

3am pond view from the only yard that echoed, 2026

oil on canvas

50 x 35 in
127 x 89 cm

June Canedo de Souza

root mends bed and all the women before me, 2025

oil on canvas

48 x 36 in
122 x 91 cm

June Canedo de Souza

rodeo heart-teeth clenched-wide mouth-looking bush, 2025

oil on canvas

69 x 74 in
175 x 188 cm

June Canedo de Souza

people, related party, behind window unit of an apartment building, 2025

oil on canvas

64 x 81 in
162.6 x 205.7 cm

June Canedo de Souza

when fruits fall and begin to rot at the darkest foot of the tree, 2025

oil on canvas
oil on canvas

56 x 77 in
142.2 x 195.6 cm

June Canedo de Souza

Pendulum, 2025

oil on canvas

76 x 67 in
193 x 170 cm

Press Release

June Canedo de Souza (b. 1989, Newark) lives and works in New York. Canedo de Souza is interested in the translation of gestural language and its regional nuances, considering how movement, surface, and color shape meaning. Her work often, though not always, explores how migration is mediated by memory. She is currently a 2025-27 Core Fellow, Texas, a 2025 MacDowell Fellow, New Hampshire, a 2024-25 session artist at Recess, New York, a 2025 Kahn Mason SIP Fellow at the EFA Robert Blackburn Printmaking Workshop, New York, and a 2024-26 Hamiltonian Fellow, Washington D.C. Exhibitions include All top teeth knocked out at once, Nicodim, Los Angeles (2026, solo, forthcoming); Ángeles Agrela / June Canedo de Souza / Æmen Ededéen / Samantha Joy Groff / Teresa Murta / Daniel Pitín, Nicodim, New York (2026); THE BODY DOES NOT EXPLAIN ITSELF, Nicodim, Los Angeles (2026); Fragments of Presence, Praxis Gallery, New York (2025); Roots Unseen, curated by Yan Yu, Nicodim Annex, Los Angeles (2025); Witness, LaForce x Speciwoman, New York (2025); New.Now, Hamiltonian, Washington D.C. (2025); A River Seeks it’s Source, MIMO, New York (2024); Memory-Material, The Geffen at the Museum of Contemporary Art, Los Angeles (2022); A Queen Within, Fresno Museum of Art, Fresno (2022); and New Visions, Fotografiska, New York (2020), among others.