Ángeles Agrela
Ángeles Agrela
Fiona, 2025
acrylic and pencil on paper
20 1/2 x 17 in
52 x 43 cm
Ángeles Agrela
Nieves, 2025
acrylic and pencil on paper
20 1/2 x 17 in
52 x 43 cm
Isabelle Albuquerque
Summertime Sadness, 2024
bronze, silver nitrate, fire red human hair
4 x 10 x 31 in
10 x 25 x 79 cm
Ed. 1/3 + 2AP
Isabelle Albuquerque
The Left Hand of Darkness, 2024
bronze, silver nitrate, lava rock
sculpture: 31 x 10 x 12 in
78.7 x 25.4 x 30.5 cm
lava rock: 16 x 30 x 22 in
40.6 x 76.2 x 30.5 cm
Ed. 1/3 + 2AP
Jeanine Brito
Sword Play, 2025
acrylic on canvas
32 x 62 in
81 x 157 cm
Æmen Ededéen (Joshua Hagler)
The Song Behind the Sound, 2024
mixed media on canvas, linen, and burlap
123 x 117 in
312 x 297 cm
Chantal Khoury
Blooms at Sea, 2024
oil on canvas
72 x 84 in
183 x 213 cm
Rae Klein
Two Candles III, 2025
oil on linen
80 x 80 in
203 x 203 cm
Katherina Olschbaur
Reclining Nude, 2022
oil on linen
83 x 79 in
210 x 199 cm
Thania Petersen
KASSARAM, 2020
digital video; 12:10 min.
Ed. 4 of 5 + 3 AP
“Welcome aboard, Mr. Pilgrim,” said the loudspeaker. “Any questions?”
Billy licked his lips, thought a while, inquired at last: “Why me?”
“That is a very Earthling question to ask, Mr. Pilgrim. Why you? Why us for that matter? Why anything? Because this moment simply is. Have you ever seen bugs trapped in amber?”
“Yes.” Billy, in fact, had a paperweight in his office which was a plop of polished amber with three ladybugs embedded in it.
“Well, here we are, Mr. Pilgrim, trapped in the amber of this moment. There is no why.”
— from Slaughterhouse Five, Kurt Vonnegut, 1969
